Upgrade your knowledge in the domain of Audio/Video/Captions QC and its latest advances with our insightful webinars
You need flexibility and resilience to adaptto the major technical and business disruptions currently rolling through the media industry.Migrating to the cloud and adopting agile software defined workflows require an equal measure of agility and automated Quality Control to ensure that you can trust those processes that are key to efficiently delivering the right content to the right platform at the right time with the right combination oftoday’s high tech solutions such as High Dynamic Range Video, Immersive Audio,Adaptive Bitrate Streaming and Localization.
“We’re in a new golden era of localisation” said the keynote speaker at the MESA ITS: Localisation event. With similar observations from the DPP, the EGA and SMPTE, it’s no surprise that the volume of subtitling and dubbing is increasing around the world.
QC vendors are improving their services with better automation tools and more intuitive players for visual review of content. AI is starting to be deployed for caption validation with other use cases in development.
Despite some initiatives to improve interoperability between QC services, there is not yet widespread interest in its adoption.
In this fictional (and yet squarely based on proven facts) story we examine the media workflow in the not-so-distant future, and the impact of embracing, or avoiding, the inevitable move to the cloud platform.
Captions/Subtitles in videos are now de facto features, which are not just essential for wider content reach across geographies, but also mandatory for hard-of-hearing audiences.
In this fictional (and yet squarely based on proven facts) story we examine the media workflow in the not-so-distant future, and the impact of embracing, or avoiding, the inevitable move to the cloud platform.
Captions/Subtitles in videos are now de facto features, which are not just essential for wider content reach across geographies, but also mandatory for hard-of-hearing audiences.
